A slip of the tongue
cut my lover to the quick
never forgotten
A slip of the tongue
cut my lover to the quick
never forgotten
Filed under From the heart, Haiku, Self compositions

Many people have admired the stone pillar at the side of the lane that leads to the medeival church of San Marco in Firsti but but it is only the locals who feel they know the true builders and the reason for it’s curious structure. I will tell you the story that I was told when I was just a boy.
Cardinal Cadenza smiled but it was a cold, humourless expression of his sadistic nature. Turning to the two black-robed, cringing priests he asked them to confirm that the nun Sister Dometia had really confessed to the heresy that appeared to afflict so many of the order known as the. “Poor Clares.” They showed him the scrap of parchment and pointed out the scrawl which was purported to be Sister Dometia’s mark. “That is all I need,” he thought. Pressing his fingers to his lips he thought for a moment and then the decision was made. He had been toying with a new punishment for heretics and this would be the ideal opportunity for him to show these heathen that the work of our Lord was just and transgressors could be shown mercy if they turned from their ways and repented their sins. He ordered the two priests to take the prisoner to the lower cell where the stonemason would be waiting for her. The priests left and descended to the lower dungeon where they found Sister Dometia kneeling in prayer in the corner of her cell. Clad only in a woollen blanket they led her down two flights of steps to the room where they saw the mason and his team waiting. They stood around a wooden coffin and stripping the nun naked they told her to lie down in the coffin. All were impressed that even though she knew her probable fate Sister Dometia maintained her vow of silence and stoically lay on her back, arms folded across her breast, in the coffin. The masons then started to trowel cement into the coffin until only her face was showing. When the coffin was filled with the cold, hard, liquid stone the men all left her in this nightmare situation. In the morning when they returned the cement had set and there only remained a corpse in the coffin. They smashed the wood and stood the pillar upright with the nun’s dead face set in a rictus smile looking out. The pllar was then placed at the entrance to the church as a warning to all.
Filed under From the heart, Inspired emotion, Self compositions, Tanka
a peek in the box,
reluctantly opening
wounds and memories
of life not filled with treasure
but elements of surprise
Filed under From the heart, Self compositions, Tanka
Spot the old woman
with painted delicate blush
shy at Aunt Sally
Filed under Haiku, Self compositions, Whimsical

The old department store had been standing at the junction for over a hundred years. With it’s tower and four storeys it had been hailed as the building of the century. The tenement buildings on either side with small shops and craftsmen’s dwellings on the ground floors and over-crowded apartments above looked sadly on when the doors first opened on the bright, electrical illuminated concourse. But it was a foretaste of the nightmare to come. Thirty storey and higher skyscrapers now filled the skyline. The incessant drizzle only added to the mood when news of impending demolition was made public.
Filed under Flash fiction, Inspired emotion, Self compositions
Hermaphroditus
while hunting in the forest
is beset by thirst
Salmacis looks for his love
in an eternal embrace
Filed under History, Inspired by fable, Self compositions, Tanka

Finding a body
buried close to the surface
may suggest foul play
Filed under As you read it, Haiku, Self compositions, Whimsical
Impassive she sits
on her throne of silken thread
object of desire
my needs allay any fear
of her consuming passion
Filed under Self compositions, Tanka

One of our earliest most memorable moments from watching wildlife programmes on the T.V. has got to be our introduction to the vast animal migrations across the African Plains. Wide expanses of bleak, dry, arid grasslands where the herds of wildebeest, antelope and zebras have exhausted the earth’s supply of fodder in one spot and have to follow the rains to another grazing area. A mass movement of animals that is now, sadly no longer to be seen due to the expansion of man’s domain and the diminshing resources left for the inigenous wildlife. In not too many years the only way we shall ever know what these migrations were like will be the remaining film footage. In case you aren’t sure to which piece of film I am referring the sight of a crocodile almost dragging a wildebeest into the water remains one of the most epic struggles of prey and predator witnessed and filmed by man. Once seen, never forgotten.
Filed under Factual, From the heart, Self compositions
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